Hell In A Bucket, Bertha, The Same Thing, Peggy-O, Queen Jane Approximately, Broken Arrow, Loose Lucy, Cassidy, Casey Jones Eyes Of The World-> Estimated Prophet-> Comes A Time-> Corinna-> Drums-> Jam-> The Wheel, All Along The Watchtower, The Days Between, One More Saturday Night, E: I Fought The Law
FOB section 5, Row N, Seat 8/9
Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified)
Taped by James Young
DAT clone from master > Sony PCM-M1 > Oade 7pin active cable >
Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable)
April 2, 2006 Subject:
ah yes the Knick
I agree w/ bigbeahner. the energy level @ the Knick was always incredible. was lucky enough to catch 8 shows there starting w/ the first (check out 3/24/90) & the energy never failed to amaze me. Loose Lucy & casey jones are definitely the highlights of this night. I know a lot of people will disagree w/ me, but I always loved I Fought the Law going back to when I was a kid & Mom used to play the original version. When the Dead started playing it I was happy as hell!!!! As always a great tribute to the original inc. drums for the six gun part. All around great show in a so-so year for the Dead w/ many ups & downs.
February 24, 2006 Subject:
One of my first.
The recording is good, sounds clean and you can get a sense of the energy. This was one of the first shows i ever saw live (i was too young).
Despite the copious amount of liquid lsd i ingested i can still remember the show and the great time we had. So nice to be able to come on here and stream this show, download it and be able to revisit a early moment in my "dead career".
October 17, 2004 Subject:
I go with this source...
Over the board anyday. The board sounds sweet and all, but the energy level of "The Knick" was allways incredibal. I will allways remember that Loose Lucy, Casey Jones we all sang along.. Plus the reaction to the Comes A Time breakout....
Source: Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
favoritefavoritefavoritefavorite ( 2 reviews ) Source: Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz,Dithered with Korg Aqua to 16/44